I am pleased to announce that my work will be used for the promotion and programming of the opera production Les Silence Des Ombres by Benjamin Attahir & Olivier Lexa. The production will run in the 2019-2020 season opening September 25th at La Monnaie, the Brussels Royal Opera House. For more information on La Monnaie De Munt visit their website lamonnaie.be and for the Les Silence Des Ombres schedule click here.
The Weird Show has a great review and interview with Age of Collage curator Dennis Busch up on their site. The article features a selection of the artists, including myself, in the Age of Collage 2 exhibition currently on display at Feinkunst Krüger Gallery in Hamburg, Germany. The Werid Show is an art platform dedicated to the showcase and exploration of contemporary collage through exhibitions, online/offline publishing, workshops & art sessions. Check it out and read the article on their site theweirdshow.info
"The Age of Collage 2" exhibition is opening tonight, March 2nd at 8pm in Hamburg, Germany at Feinkunst Krüger Gallery. I am happy that a selection of my collage work and some new work will be on view among an amazing selection of artists. Thank you to Dennis Busch and Ralf Krüger for organizing and curating the show. The featured images are by Dennis Busch and here is the full list of artists:
Fehmi Baumbach (D), Beni Bischoff (CH), Matthieu Bourel (D/F), Jono Boyle (UK), Martin Bronsema (D), Paul Burgess (UK), Dennis Busch (D), Julia Busch (D), Werner Büttner (D), Jorge Chamorro (D/ESP), Isabelle Cordemans (US), Eli Craven (US), Valero Doval (ESP), Dr.Me (UK), Lola Dupree (UK), James Gallagher (US), Sebastian Haslauer (D), Ashkan Honavar (NOR), Natalie Huth (D), Seb Jarnot (F), Philippe Jusforgues (F), Geoff J Kim (US), Max-O-Matic (ESP), Bill Noir (F), Bryan Olson (US), Kenny Runners (D), Magdalena Rysopp (D), Claudia Söchting (D), James Springall (UK,) Kerstin Stephan (D), Nil Ultra (US), Joe Webb (UK), Charles Wilkin (US
I am pleased to have my work included in the latest issue of Found Footage Magazine. FFM is a film studies journal dedicated to the study and dissemination of found footage and collage cinema. Issue #5 is available March 2019 and you can purchase a copy and read more about the publication on their website foundfootagemagazine.com
I am pleased to announce that one of my photographs will be included in the Context 2019 exhibition at Filter Space in Chicago. This year's exhibition was juried by Ariel Pate, Assistant Curator of Photography at the Miluakee Art Museum. Context 2019 opens March 22 with an artists reception March 29 and will remain open through April 27, 2019. It is an honor to be included amongst a great selection of artists. More information about the exhibition and the complete list of artists can be seen at the Filter Space website. Featured Image © Alissa Ohashi
I was recently interviewed by Tique Art Paper for their Six Questions Series. They are an art publication and organization based in Belgium and I am flattered to have my work included among such great art and artists on their site. You can read the interview in their Six Questions section and you can see more great work and purchase their publications on tique.art/paper.
I am excited to share that some of my work will be included in the Age of Collage 2 exhbiiton at Feinkunst Krüger Gallery in Hamburg, Germany. Curated by Dennis Busch, the exhibition opens on March 2nd with a reception at 20:00.
The French magazine Philoshophie has included some of my collage work in a special issue focusing on philosopher Emmanuel Levinas. The publication is available on newstands as of January 25th.
The Boise Art Museum is hosting Boise State University's Biennial Faculty Exhibition this Spring. I am excited to be sharing some new work in the show. The exhibition opens on March 30th with an opening reception on Friday April 12th at 5:30pm.
I am excited to announce the exhibition Swimming and Diving, a collaborative project with architect and artist Maria Chavez at Boise State University's Visual Arts Center. Swimming and Diving started with the discovery of a set of American Red Cross safety manuals. From a contemporary point of view, the contents of the manuals contained narrow representations of life-safety. Questions regarding the use of the instructions and imagery followed; if removed from their original context, in what ways could they be reinterpreted? This idea became the impetus for an installation centered on precaution, rescue, and human value. The installation confronts the subject matter in the manuals while exploring the physical relationship between the image and the object, movement and containment, and how a safety manual can be experienced in a physical space.
The opening reception for the exhibition is Thursday August 30th from 5-7pm in the Visual Arts Center - Gallery One (Liberal Arts Building 170) at Boise State University. The exhibition continues through October 29th, 2018 and Gallery Hours are M-Th 10am-5pm F 10am-2pm